Fabifa, All and Nothing , 2020

The artwork portrays a woman in a state of deep contemplation, situated in a timeless space. The woman is portrayed with serene features with the striking detail of the woman’s double pupils, which appear to be gazing both into the past and into the future simultaneously. Upon closer examination, it becomes apparent that the woman is depicted with four hands, each in a different position. Two of her hands are resting on her lap, while the other two are raised, as if in a state of offering or meditation.

The lines on the contour of the woman’s figure are reminiscent of waves, which seem to echo and repeat her shape in an abstract and fluid manner. The use of light and shadow adds a sense of depth and dimension to the image, further emphasizing the woman’s introspective mood. The combination of these elements creates a powerful image that suggests a deep connection between the woman and the natural world, and invites the viewer to contemplate their own relationship to the universe.

Overall, the artwork serves as a reminder of the importance of reflection and contemplation in our lives. It suggests that we should take time to pause and consider the world around us, to look both back and forward, and to recognize our place within the grander scheme of things. It is an image that inspires both peace and contemplation, and invites us to consider our own relationship to time and space

• Künstlername | artist name: Fabifa
• Vorname | First Name: Valeryia
• Nachname | Last Name: Losikava
• Email address: artfabifa@gmail.com
• Mobile phone: +4917623604344
• Address Line 1: Hasenheide, 34
• Address Line 2: 34
• City: Berlin
• Zip Code: 10967
• Country: Germany
• State: berlin
• Portraitbild | Portrait picture:
• Künstler-CV | Artist Bio:

  Born and raised in conservative Belarus, Fabifa discovered a new found freedom when moving to Berlin in 2015. The city‘s open attitude provided a perfect platform for self discovery and reflection which she shows within her art.
  Her body of work captures harmonious moments, aiming to reflect her subject‘s sensations and feelings, in a perspective from which she is in control.
  A further focal point is Fabifa’s aesthetic preference and perception of beauty. We see examples of scarification, tattooing and clear depictions of Fetish elements all of which trigger positive emotional responses within her.
  Fabifa’s material of choice, tape, has powerful connotations to fetish in itself. With it’s shiny, smooth surface it reflects other frequently fetishized materials such as latex or leather. Coupled with her use of sharp, bold shapes and vibrant colors, she visually enhances the way in which she communicates her ideas and perceptions with the viewer.

  Fabifa uses tape art as a political protest, as an expression of her personal and sexual freedom. She sees most of her art as a tool of communication that is supposed to raise awareness to political justice, equality and self-expression.

  Statement:

  “My work brings up social and cultural questions, by examining traditional, popular and subcultures, notions of freedom and how these influence and form society.
  I close the gap between social stereotypes and open new ways for people to perceive different cultures in a globalized world.
  Graphic rawness and clarity of lines are delivered through the properties of tape, my primary medium. My preference to this aesthetic was subconsciously influenced by USSR propaganda art and later in life, in stark contrast, by pop and comic art.
  Ironically the function of tape to ‘stick together‘ or bond lends itself perfectly in combining two opposing sources of inspiration. Essentially, my purpose as an artist is to embody the tape’s characteristic to make bonds and unite different ideas.
  Furthermore my recent color palette has been greatly influenced by Ultraviolet glowing corals and sea creatures in correlation with the urban night life of a modern metropolis.
  Human existence and perception are at the center of my work with the exploration of creating a blueprint of the future human.”

  E-mail: artfabifa@gmail.com
  Web-site: artfabifa.com
  Instagram: @tape_fabifa
  Facebook: http://www.facebook.com/artfabifa/

  BIOGRAPHICAL DATA
  Date of Birth: 14/09/1987
  Place of Birth: Minsk, Belarus, USSR
  BILDUNG 2003 – 2007 Minsk State Architectural College Architect, Architecture
  SELECTED EXHIBITIONS
  11.02-11.05.2023 - “Hidden emotions”, Mora Mora Gallery, SOLO EXHIBITION, Cancun, Mexico
  26.08-17.11.2022 - “GEKAUFTE LIEBE”, Not a gallery, group exhibition, Berlin
  17.05-21.05.2022 - TAPE ART CONVENTION 2022, group exhibition, Berlin
  01.05-31.09.2022 - GAME OVER 2, group exhibition, Berlin
  13.08.2021 - “REFLECT”, group exhibition, FernsehTurm Berlin
  01.10-31.01.2021 - GAME OVER, group exhibition, Berlin
  29.05.2019 - 02.06.2019 - DUO EXHIBITION, Eigengrau,Berlin
  01.09.2018 -13.10.2018 - Monumenta - group exhibition, Leipzig
  07.07.2018 -28.07.2018 -Tape Art Convention 2018 - - group exhibition, Berlin
  05.07.2018 -06.07.2018 - Millerntor Gallery #8 - group exhibition, Hamburg
  18.05.2018 -21.05.2018 -BERLIN MURAL FEST - group exhibition, Berlin
  26.04.2018 -29.04.2018 -WANDELISM 2.0 - group exhibition, Berlin
  17.03.2018 -31.03.2018 - WANDELISM - group exhibition, Berlin
  11.10.2017 - 27.12.2017 - ARTCADEN - group exhibition, Wilmersdorfer Arcaden, Berlin, Germany
  1.09.2017 - 11.09.2017 - Stilbruchfestival, Teufelsberg, Berlin, Germany
  23.08.2017- 27.08.2017 - Group exhibition for festival “A-part”, 25 rue de la République, Marseille
  10.08.2017- 13.08.2017 - Art Festival “The Take Over”, Nau Bostik, Barcelona
  17-18.06.2017 – Art Festival “Murales”, SAGE-Beach, Berlin
  1.04 – 31.05.2017 - THE HAUS - group exhibitiomn in Urban Art Gallery,Berlin
  8.10 - 15.10.2016 – Tape Art Convention 2016 - group exhibition at Neurotitan-Schwarzenberg
  Gallery, Berlin.
  1.04 – 17.04.2016 SOLO EXHIBITION "Weissdeutchland" GALLERY "Berlin Art School", Berlin

• Ich bin durch eine Galerie vertreten | I am represented by a gallery : Nein | No
• Detail 1:
• Detail 2: