Breathless II

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40x60cm, oil on linen, 2022, unique

The initial approach to these pieces was to explore the idea of breathlessness in terms of being exhausted from verbal communication and not being able to articulate yourself…also being left breathless in awe of a partner. 

But following the last worldwide wave of Black Lives Matter protests in 2020 after George Floyd’s murder, this image, for me, has simultaneously become quite poignant. His last words ‘I can’t breathe’ ring true now looking at these paintings.

At the same time I learnt of incidents where white people misuse their systematic advantages. I was particularly shaken by the incident of a woman In the United States calling the police on a Black man watching birds in Central Park, after he had asked her to put her dog on a leash. Her response was to take a picture of him and tell the police he had tried to assault her. A completely false statement.

When you have this knowledge, I don’t understand people when they say ‘I don’t see colour,’ in an attempt to avoid racism. Yes, it’s important to see individuals for their full humanity but in the face of the society we live in here in Germany, and where I used to live in the UK…as well as most other places in the world, I’d say…it’s impossible to see past the systematic injustices and ways in which people are stereotyped. It’s something I cannot and should not look past, especially as a white woman.

  • Anne Bengard
  • Anne
  • Bengard
  • annebengard@gmail.com
  • +4915223099326
  • https://annebengard.com
  • https://www.instagram.com/anne_bengard_art
  • Grunewaldstraße 15
  • 10823
  • berlin
  • Germany
  • berlin
  • Petra-W.-Barathowa-@pwb-fotografie.de
  • Education:
    2007-2010: BA (hons) Performance Design and Practice (2:1), Central Saint Martins College of Art and Design, London

    Selected Group exhibitions:
    2023
    ‘ambivalent’ | Not A Gallery, Berlin
    Schöneberg Artists | The Ballery, Berlin

    2022
    Metawalls Berlin | The Embassy/Decentraland, Online
    Gekaufte Liebe | Not A Gallery, Berlin

    2021
    ‘Faces of Depth’ | Retramp Gallery, Berlin
    Berlin Mural Festival
    Game Over | Berlin
    ‘Fetish’ | The Ballery, Berlin
    ‘Art Safari’ | Kliemannsland, Elsdorf
    Stroke Art Fair, Munich
    ‘Mondo Bizzaro’ | Alte Münze, Berlin

    2020
    Future Binkhorst - VR painting installation | Trefpunt Rotterdamsebaan, The Hague, The Netherlands
    Spotlight on Anne Bengard | Sammlung Seibert, Berlin

    2019
    Modern Panic | Truman Brewery, London, UK
    Parkhaus Neukölln, Berlin
    Fabifa/Anne Bengard’s Praxis | Oberschöneweide, Berlin
    Fabifa/Anne Bengard | Bar Eigengrau, Berlin
    Light Noise Art | Zwei Drei Raum, Berlin

    2018
    Monumenta, Leipzig
    Berlin Mural Festival, Berlin
    Wandelism, Berlin
    Helmets for Habitat | Microsoft flagship store NYC

    2017
    WE ARE PART OF CULTURE, with 100% Mensch Hauptbahnhof and travelling to 20 major train stations around Germany
    THE HAUS | Berlin Art Bang, Berlin
    Enter Art Foundation, 50 Contemporary Artists | Berlin
    Take Over | Nau Bostik, Barcelona


    2016
    ‘Monster Madness’ | Slushbox Gallery, Florida, USA
    ‘Stopjectify’ | Gallery Different, London, UK

    2014
    Modern Panic VI | Apiary Studios, London, UK

    Statement:

    Anne’s work deals with issues around connection, intimacy and fetishisation, understanding the term ‘fetish’ in the context of behaviour, devotion, obsession and consumption.
Often borderline voyeuristic, her visual language uses polarities to explore social norms, stereotypes and aims to create a sense of tension and sensuality.
    Her works ask questions rather than make statements, often probing the subconscious.
Anne studied Performance Design and Practice at Central Saint Martin’s College of Art and Design in London. She is a self taught painter influenced by 90s anime and old master paintings and pop surrealism. She can hold her breath for 5 minutes.

  • Nein | No

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